L’Ingénu (Q1622): Difference between revisions

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(‎Added reference to claim: about (P36): mourning (Q2864), Adding reference Q4000)
(‎Added reference to claim: about (P36): virtue (Q3120), #quickstatements; #temporary_batch_1703154495264)
 
(40 intermediate revisions by 2 users not shown)
aliases / fr / 0aliases / fr / 0
 
L’Ingénu, histoire véritable, tirée des manuscrits du Père Quesnel
Property / about: religion / reference
 
Property / about: family / reference
 
Property / about: mourning / reference
 
Property / about: travel / reference
 
Property / about: travel / reference
 
Property / about: destiny / reference
 
Property / about: destiny / reference
 
Property / about: virtue / reference
 
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Property / mentioned in: klinkert_2010a / reference
 
Property / mentioned in
 
Property / mentioned in: Schlüter_2014a / rank
 
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Property / sentiment arc diagram
 
Property / sentiment arc diagram: Voltaire Ingenu txt distant.png / rank
 
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Property / sentiment arc diagram: Voltaire Ingenu txt distant.png / reference
 
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Property / token count: 24,821 / rank
 
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Property / stylometric based similarity
 
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Property / stylometric based similarity
 
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Property / stylometric based similarity
 
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Property / stylometric based similarity: Histoire de Jenni / reference
 
Property / stylometric based similarity
 
Property / stylometric based similarity: Le Micromégas / rank
 
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Property / stylometric based similarity: Le Micromégas / qualifier
 
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Property / stylometric based similarity: Le Micromégas / reference
 
Property / stylometric based similarity
 
Property / stylometric based similarity: Le taureau blanc / rank
 
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Latest revision as of 11:37, 21 December 2023

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English
L’Ingénu
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    Statements

    L’Ingénu, histoire véritable, tirée des manuscrits du Père Quesnel (français)
    Mlle de Kerkabon, l’abbé de St. Yves, M. Gordon, M. de St. Pouange (français)
    aventures comiques et romanesques, critiques des institutions religieuses et politiques (français)
    ton satirique, sensibilité à la fin (français)
    1 reference
    In manchem Bayle und Fontenelle, Rabelais, dem Barockroman und den Romanciers der ersten Jahrhunderthälfte verpflichtet und an die Tradition der oft frivolen antiklerikalen Novellistik anknüpfend, macht er den sogenannten ›conte philosophique‹ zur mustergültigen Gattung: Es erscheinen u. a. Zadig ou La destinée (1747/1748), Micromégas (1752/1754), L’ingénu (1767) und La Princesse de Babylone (1768).