La fin des amours du chevalier de Faublas (Q1077): Difference between revisions
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imported>Steffesm (Created claim: place of publication (P10): London (Q3508), Adding claim P10) |
(Added reference to claim: about (P36): sentiment (Q3087), #quickstatements; #temporary_batch_1703160294803) |
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label / fr | label / fr | ||||||
La fin des amours du chevalier de Faublas | La fin des amours du chevalier de Faublas | ||||||
label / de | label / de | ||||||
La fin des amours du chevalier de Faublas | La fin des amours du chevalier de Faublas | ||||||
aliases / fr / 0 | aliases / fr / 0 | ||||||
La fin des amours du chevalier de Faublas, par M. Louvet de Couvray | |||||||
Property / BGRF ID: 90.47 / reference | |||||||
Property / author: LOUVET DE COUVRAY, Jean-Baptiste / reference | |||||||
Property / title: La fin des amours du chevalier de Faublas, par M. Louvet de Couvray (français) / reference | |||||||
Property / place of publication string | |||||||
Property / place of publication string: Bailly (français) / rank | |||||||
Property / place of publication string: Londres & Paris (français) / reference | |||||||
Property / publication date: 1790 / reference | |||||||
Property / publication date string: 1790 (français) / reference | |||||||
Property / distribution format string: 6t. in-12 (français) / reference | |||||||
Property / number of pages string: viii + 151, 178, 155 177, 175, 192p. (français) / reference | |||||||
Property / narrative form string: 1re personne (français) / reference | |||||||
Property / narrative location string: Paris (français) / reference | |||||||
Property / characters string: Faublas, la marquise de B***, Mme de Montdésir, Mme de Lignolle, Mme de Fonrose, Rosambert.... (français) / reference | |||||||
Property / BGRF_plot_theme: aventures galantes (français) / reference | |||||||
Property / BGRF_tone_intention: ton satirique (français) / reference | |||||||
Property / about: night / reference | |||||||
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Property / about: mourning / reference | |||||||
Property / about: mourning / reference | |||||||
Property / about: mourning / reference | |||||||
Property / about: mourning / reference | |||||||
Property / about: Topic 0:[temps paraître encore] / reference | |||||||
Property / about: love / reference | |||||||
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Property / about: happiness / reference | |||||||
Property / narrative location: Paris / qualifier | |||||||
occurence in text: 30
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Property / narrative location: Fromonville / qualifier | |||||||
occurence in text: 19
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Property / narrative location: Belcour / qualifier | |||||||
occurence in text: 12
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Property / place of publication: London / reference | |||||||
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Property / about: progress / rank | |||||||
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stated in: Rieger_2006a quotation: Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution. | |||||||
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stated in: Rieger_2006a quotation: Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution. | |||||||
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Property / full work available at URL: https://github.com/MiMoText/roman18/blob/master/plain/files_non_modernized/Louvet_Fin.txt / rank | |||||||
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Property / place of publication: Paris / rank | |||||||
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Property / place of publication: Paris / reference | |||||||
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Property / tone: realistic tendencies / rank | |||||||
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stated in: Rieger_2006a quotation: Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution. | |||||||
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Property / language of work or name: French / rank | |||||||
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Property / language of work or name: French / reference | |||||||
Property / mentioned in | |||||||
Property / mentioned in: Bauer-Funke_1998b / rank | |||||||
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Property / mentioned in: Bauer-Funke_1998b / qualifier | |||||||
occurence in text: 1
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Property / mentioned in: Haas_1902b / rank | |||||||
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Property / mentioned in: Rieger_2006a / rank | |||||||
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occurence in text: 2
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Property / mentioned in: Rieger_2006a / reference | |||||||
Property / sentiment arc diagram | |||||||
Property / sentiment arc diagram: Louvet Fin txt distant.png / rank | |||||||
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Property / sentiment arc diagram: Louvet Fin txt distant.png / reference | |||||||
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Property / token count: 145,653 / rank | |||||||
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Property / token count: 145,653 / reference | |||||||
Property / exact match | |||||||
Property / exact match: http://www.wikidata.org/entity/Q123001308 / rank | |||||||
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Latest revision as of 13:10, 21 December 2023
No description defined
Language | Label | Description | Also known as |
---|---|---|---|
English | La fin des amours du chevalier de Faublas |
No description defined |
Statements
La fin des amours du chevalier de Faublas, par M. Louvet de Couvray (français)
1 reference
viii + 151, 178, 155 177, 175, 192p. (français)
1 reference
Faublas, la marquise de B***, Mme de Montdésir, Mme de Lignolle, Mme de Fonrose, Rosambert.... (français)
1 reference
1 reference
Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution.
1 reference
Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution.
1 reference
Der Girondist Louvet, dessen dreiteiliger galanter Roman Les amours du chevalier de Faublas (1786/87-1790) als fortschreitendes Insbildsetzen der zeitgenössischen sozialen Entwicklungen interpretiert werden kann, verschiebt das Happy-End seiner Protagonisten auf das Morgen der Revolution.