L’Ingénu (Q1622): Difference between revisions

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(‎Added qualifier: stylometric distance value (P52): 0.7936, Adding Quantity Qualifier0.7936 to Q1892)
(‎Added reference to claim: about (P36): virtue (Q3120), #quickstatements; #temporary_batch_1703154495264)
 
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Property / about: religion / reference
 
Property / about: family / reference
 
Property / about: mourning / reference
 
Property / about: travel / reference
 
Property / about: destiny / reference
 
Property / about: virtue / reference
 
Property / stylometric based similarity: Candide ou l’Optimisme / reference
 
Property / stylometric based similarity: La princesse de Babilone / reference
 
Property / stylometric based similarity: Histoire de Jenni / reference
 
Property / stylometric based similarity
 
Property / stylometric based similarity: Le Micromégas / rank
 
Normal rank
Property / stylometric based similarity: Le Micromégas / qualifier
 
stylometric distance value: 0.8178
Amount0.8178
Unit1
Property / stylometric based similarity: Le Micromégas / reference
 
Property / stylometric based similarity
 
Property / stylometric based similarity: Le taureau blanc / rank
 
Normal rank
Property / stylometric based similarity: Le taureau blanc / qualifier
 
stylometric distance value: 0.8208
Amount0.8208
Unit1
Property / stylometric based similarity: Le taureau blanc / reference
 

Latest revision as of 11:37, 21 December 2023

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Language Label Description Also known as
English
L’Ingénu
No description defined

    Statements

    L’Ingénu, histoire véritable, tirée des manuscrits du Père Quesnel (français)
    Mlle de Kerkabon, l’abbé de St. Yves, M. Gordon, M. de St. Pouange (français)
    aventures comiques et romanesques, critiques des institutions religieuses et politiques (français)
    ton satirique, sensibilité à la fin (français)
    1 reference
    In manchem Bayle und Fontenelle, Rabelais, dem Barockroman und den Romanciers der ersten Jahrhunderthälfte verpflichtet und an die Tradition der oft frivolen antiklerikalen Novellistik anknüpfend, macht er den sogenannten ›conte philosophique‹ zur mustergültigen Gattung: Es erscheinen u. a. Zadig ou La destinée (1747/1748), Micromégas (1752/1754), L’ingénu (1767) und La Princesse de Babylone (1768).